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AlRaweya الراوية

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AlRaweya (n.)

By Dania A. Moussa

AlRaweya in Arabic is the the female storyteller, and in our Middle Eastern region, women are the ‘mothers of all stories’.
Our grandmothers mastered storytelling since the beginning of time, using it as a way to survive the brutality of life, pass wisdom and morals to younger kids, and support causes they truly believed in. Fast forward to few hundreds of years, here we are, writing short films, poems, novels, screen-plays to locate our places in this chaotic world.

AlRaweya is my little space to highlight aspects of my intellectual observations as both: a writer and a woman living in a heated region filled with political conflicts, social debates, financial instability, and traumatic collective memory that often haunt the human in me, but also feed my inner writer with what makes a story worthy of telling.

  • Our Relationship With TV: How Did It Change Over Time?

    Our Relationship With TV: How Did It Change Over Time?

    In a capitalist world, where our habits are dictated by the rhythm of an economical-oriented global system, our watching habits are not an exception. Throughout the years, we gradually moved from watching TV drama made for everyone, to watching OTT productions which are designed for our own taste and preferences. Our relationship with TV and…

    Read more: Our Relationship With TV: How Did It Change Over Time?
  • The Three-act Structure: A Necessity or a Tradition?

    The Three-act Structure: A Necessity or a Tradition?

    Whenever screenwriters debate stories, we are always standing in front an immortal dilemma: to follow or not to follow the three-act structure, which is a model used in narrative fiction that divides a story into three parts (acts), often called the Setup, the Confrontation, and the Resolution. I think this three-act structure was modeled over time by…

    Read more: The Three-act Structure: A Necessity or a Tradition?
  • Screenwriting: A Living Witness of Time

    Screenwriting: A Living Witness of Time

    The screenwriting craft changed a lot over time and became more than a technical document to pave the way for filmmakers to make their films. In one of the earliest scripts (Le Voyage dans la Lune, 1902) written by Georges Méliès, we notice a very permeative attempt to build a sequence of continuous actions that lead to…

    Read more: Screenwriting: A Living Witness of Time
  • About Screenwriting and Writer’s Voice

    About Screenwriting and Writer’s Voice

    I personally think that there’s something miraculous about the way screenwriters find their ideas for an upcoming screenplay. That ‘something’ is what gives the screenwriters their special voice. I believe there is no 100% original idea. All our ideas are an outcome of experiences, knowledge, environment, tastes, music, books, artworks, news, opinions, and traumas. Almost…

    Read more: About Screenwriting and Writer’s Voice
  • The Auteur Theory: The Clash between Directors and Screenwriters

    The Auteur Theory: The Clash between Directors and Screenwriters

    The Auteur theory is a theoretical approach that considers the director as the major creative force behind a movie. ‘Auteurs’ infuse films with their singular perspectives and trademark visual styles when translating them from screenplays to the screen. Critics use auteur theory to explore the ways these directors act as authors of their films, sometimes…

    Read more: The Auteur Theory: The Clash between Directors and Screenwriters
  • Screenwriting: an art form or a technical practice?

    Screenwriting: an art form or a technical practice?

    I think it’s important to understand the different views about the nature of screenwriting. When many consider screenwriting an ‘art form’ by itself, others think that screenwriting is an urgent technical practice that filmmakers relies on to make better films. Celebrated screenwriter Paul Schrader, the writer of Taxi Driver, Raging Bull and many other acclaimed works of cinema,…

    Read more: Screenwriting: an art form or a technical practice?
  • Why we tell stories?

    Why we tell stories?

    For me, storytelling revolves so much around plenty of reasons. In my opinion, the most important reason is what John Yorke calls ‘The Role of Order’ in his book ‘Into the Woods: How Stories Work and why We Tell Them’. The reality of an average human in a safe house, in a calm neighborhood, in…

    Read more: Why we tell stories?


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